Foreign Rights

One of the perks that I get from having signed with a big publishing house like Harper Collins, is the effort that they make on my behalf to sell the foreign rights to my books. There are two particular book fairs that they participate in yearly in order to make this happen, namely Frankfurt and London. So far, I've sold books from the Kingsborough Ball series to Russia, Japan and Holland. Lady Sarah's Sinful Desires is due for release on the Scandinavian market in spring 2016, with the next two books in the series following closely behind. This agreement has been further facilitated thanks to Harlequin whom Harper Collins acquired in 2014. Below are a couple of pictures of the books I've received so far. I can't read them myself, but that doesn't make it less thrilling to have them on my book shelf =)

The Trouble With Being A Duke in Japanese

The Trouble With Being A Duke in Russian

Belle of the (Kingsborough) Ball: Sophie Barnes Waltzes into Print | RT Book Reviews

Belle of the (Kingsborough) Ball: Sophie Barnes Waltzes into Print

AS SEEN ON RT BOOK REVIEWS, AUGUST 29, 2013 | PERMALINK

I recently had the pleasure of visiting RT Book Reviews for a lovely chat with my editor, Erika Tsang. Here's what we had to say to each other:
 

Erika: I’m delighted to introduce everyone to Sophie Barnes, one of Avon’s rising stars. How does it feel, Sophie, to be a multi-platform author?

Sophie: I’m still waiting for it to sink in. Having had one of my Impulse books, How Miss Rutherford Got Her Groove Back, available at Target, I know how wonderful it is to walk into a store and find your book there on the shelf. I’m all for digital, but being fond of paper books, this move has really meant a lot to me. It’s exciting to know that my books will be widely available to readers both digitally and traditionally.

Erika: The Trouble With Being a Duke started out as an idea for a novella for an anthology. How did it become the start of a trilogy instead?

Sophie: Well, after submitting my proposal for the anthology, I received a phone call from my previous editor inquiring if I’d be interested in turning it into a three-part series for print. My answer was, “Absolutely!” Of course, I had to expand on my plot in order to do this, but the idea of using the Kingsborough Ball as the starting point for each book was an intriguing one. The Trouble With Being A Duke is the story that stays true to my original plan for the novella. For the sequels, new characters were invented, and since I wanted to avoid too many plot overlaps between the three books, I decided that this would be easier to achieve if the heroes and heroines were not related to each other. Instead, they’re friends and acquaintances who are tied to each other by secondary characters and by the Kingsborough Ball shooting, at which they are all present.

Erika: Some writers think publishing with a digital-first imprint is different than a traditional imprint. What do you think? Are there differences? What hasn’t changed?

Sophie: The most tangible difference is the ‘bookstore element,’ since I’m hoping to attract those readers who don’t buy their books online. But even with Impulse, it’s not all digital like some might think, it’s print on demand. As far as the writing and publicity goes however, you’re absolutely right: there’s very little difference. I’m working with the same incredible team now as I was before and I could not be happier. My work requirement is still the same of course, although it doesn’t really feel like work at all considering how much I enjoy it.

Erika: Is there anything you’d like to add for aspiring writers?

Sophie: I think it’s important to believe in yourself and your ability to get published, whether digitally or traditionally. And don’t dismiss the digital opportunities for they might lead to print, if that’s what you’re hoping for. In my opinion, it’s best to get your foot in the door as soon as possible. Once that’s done, you can set a new goal for yourself. However, it is hard work — something most people talk about doing but never actually accomplish. So if you’ve actually finished a manuscript, well done! Continue to work at the craft — there’s always room for improvement. After all, writing is a continuous learning experience, so don’t be overly protective of your work, but listen to the advice you receive along the way — changing a scene or two may just be the key to getting published.

Q&A with Sophie Barnes

Romance authors seem to have an unending love-affair with fairytales. Why do you think that is—and what drew you to this much-loved fairytale?
When it comes to romance, we all long for the hero and heroine to live happily ever after. The greater the obstacles in their way, the greater our tendency to cheer them on, and let’s face it, Cinderella did not have it easy. I think I was drawn to this particular fairy-tale partly because it’s one of my all-time favorites, but also because it centers on something we can all relate to – the wish for a once in a lifetime opportunity to make our dreams come true. Compared to other fairy-tales, it’s probably also the one that’s easiest to adapt to everyday life. We can remove the fairy godmother and her magic wand without compromising the heart of the story. What we’re left with, is a young woman trapped in a difficult situation. When she’s offered the chance of a happily ever after, we want her to succeed, perhaps because inside every one of us there’s a little bit of Cinderella – that wish…what if?
The Kingsborough Ball turns out to be a lively affair, to say the least: gunshots, fireworks, scandals and stolen kisses abound! Where did you come up with the idea to create a whole series revolving around one, glorious evening?
To be honest, it all began with an idea for a short novella with Cinderella as the underlying theme. After submitting my proposal, my lovely editor called, offering me a three book deal instead. I felt like I’d won the lottery, so in a way that was definitely a “Cinderella moment” for me. I no longer had a novella to write, but three full-length novels. While they would all have the Kingsborough Ball as a back drop, I wanted each story to be capable of standing alone without the reader feeling as if they were re-reading the previous story from a different character’s perspective. To achieve this, I gave all the heroes and heroines one event they would all have in common – the Kingsborough Ball shooting. Outside of that, they all have their own separate stories to live, each with their own obstacles and villains.
You’ve had something of a fairytale romance yourself—getting married to the same man three different times in three different dresses is sigh-inducing and swoon-worthy. Do you draw on your own experiences in love and marriage when you write?
Absolutely. It says on my website that my heroes are based on my husband, and that’s definitely true. He has helped me so much by offering me an insight into how a man would react or what he might say in a given situation, and in fact, many of the dialogues between my heroes and heroines are based on conversations that he and I have had. Additionally, we know how wonderful it is to be together and how difficult it is to be apart. When I write, I draw on these emotions. In fact, I believe that being married and knowing what it’s like to care about someone else so deeply, to constantly worry about their welfare, makes me a better writer.
You’re the first historical romance author to migrate from Avon Impulse’s digital-first to Avon’s printed line. What was your publishing journey like?
It truly has been a whirlwind experience – I’ve achieved a lot in a very short time, but I’ve also worked extremely hard at it. Four years ago, I wrote to one of my all-time favorite authors in regards to one of her books. In my email, I mentioned that I was living in Ghana and that I was working on a manuscript (How Miss Rutherford Got Her Groove Back). She responded with something along the lines of, “how interesting – one of the editors at Avon (aka, the fabulous Esi Sogah) is from Ghana.” A year passed and I moved back to the US, upon which I wrote to this wonderful author again, inquiring if there was any chance at all that she might be able to put me in touch with Esi directly. Naturally, I expected a categorical “no”, but as I’ve since come to discover, everyone in the romance book industry is so sweet and helpful. Esi wrote to me shortly after asking to see my manuscript, and in August 2011 I received my first offer.
What’s next for Sophie Barnes and The Kingsborough Ball?
I’m currently working on the third book in the series which will be a friends to lovers story in which the assassin at the ball is revealed. This one will have a few twists and turns as our heroine finds herself in mortal danger and the hero sets out to rescue her. I think readers will be surprised by the villain’s identity – at least I hope they will, because it’s going to be someone completely unexpected. Once that wraps up I’ve a whole bunch of story ideas to work on. I’ll have to decide which one of them to pick for my next proposal.